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In China, the jiasha refers to a one-piece, patchworked rectangular fabric which is worn over a long one-piece, cross-collar robe known as zhiduo. [10] During the early period of Chinese Buddhism, the most common color was red. Later, the color of the robes came to serve as a way to distinguish monastics, just as they did in India.
Clothing in ancient Rome generally comprised a short-sleeved or sleeveless, knee-length tunic for men and boys, and a longer, usually sleeved tunic for women and girls. On formal occasions, adult male citizens could wear a woolen toga , draped over their tunic, and married citizen women wore a woolen mantle, known as a palla , over a stola , a ...
Mohammed Alim Khan (1880–1944), emir of Bukhara, wearing a khalat. A khalat (Persian: خلعت, from Arabic: خِلْعَة, romanized: khilat) is a loose, long-sleeved outer silk or cotton robe common in Central Asia and South Asia and worn both by men and women, although in differing styles.
The white color is said to symbolize purity, which partly explains its use during weddings. It is also felt to signify unity with the bride (who also wears white) and the beginning of a new life together. Another reason it is worn at the wedding is because it has no pockets, showing that the couple is marrying for love, not for what they possess.
The kittel is a white robe worn on certain occasions by married men (and some women) [14] in Ashkenazic and Hasidic communities, such as Yom Kippur and Passover Seder, and may be worn by those leading prayers (and in some communities by all married men) on Rosh Hashanah, Hoshanah Rabbah, and for Tefilas Tal and Tefilas Geshem.
At Rome, especially, where the popes had succeeded to a share of the power and pretensions of the caesars of the West, the accumulation of ecclesiastical vestments symbolized a very special dignity: in the second quarter of the 9th century the pope, when fully vested, wore a camisia girdled, an alb (linea) girdled, an amice (anagolaium), a ...
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