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Giuseppe Verdi. The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901). The list includes original creations as well as reworkings of the operas (some of which are translations, for example into French or from French into Italian) or subsequent versions of completed operas.
العربية; Azərbaycanca; Башҡортса; Беларуская; Български; Català; Чӑвашла; Čeština; Cymraeg; Dansk; Deutsch; Eesti ...
La donna è mobile" (pronounced [la ˈdɔnna ˌɛ mˈmɔːbile]; "Woman is fickle") is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at
A romantic comedy with music drawing on the opera buffa style of Rossini. [214] 1946 The Medium (Gian Carlo Menotti). Considered by many to be Menotti's finest work. [215] 1946 The Rape of Lucretia (Britten). Britten's first chamber opera. [216] 1947 Albert Herring (Britten). Britten's comic opera is heavily based upon use of the ensemble. [216]
The "Operadis" discography lists more than seventy other recordings, made at live performances. They include those conducted by Sir Thomas Beecham at the Metropolitan Opera in 1944 with Leonard Warren in the title role; [4] Fritz Reiner with Warren at the Met (1948); [5] Victor de Sabata with Mariano Stabile at La Scala (1951); [6] Karajan and Gobbi at the Salzburg Festival (1957); [7] Tullio ...
This is a list of recordings of Don Carlos, an opera by Giuseppe Verdi, known as Don Carlo in its Italian-language versions. Don Carlos premiered as a five-act French grand opera at the Théâtre Impérial de l'Opéra in Paris on 11 March 1867. In 1883, Verdi created a revised 4-act (Milan) version, which has generally been performed and ...
The Coro di Zingari (Italian for "Gypsy chorus"), [1] known in English as the "Anvil Chorus", is a chorus from act 2, scene 1 of Giuseppe Verdi's 1853 opera Il trovatore.It depicts Spanish Gypsies striking their anvils at dawn – hence its English name – and singing the praises of hard work, good wine, and Gypsy women.
The earliest study of Verdi's music, published in 1859 by the Italian critic Abramo Basevi, already distinguished four periods in Verdi's music. The early, 'grandiose' period, ended according to Basevi with La battaglia di Legnano (1849), and a 'personal' style began with the next opera Luisa Miller. These two operas are generally agreed today ...