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The Women of Amphissa is an oil on canvas painting by Sir Lawrence Alma-Tadema, made in 1887. It is held at the Clark Art Institute , in Williamstown . It depicts a group of maenads waking up in the market of Amphissa , after a night of debauchery.
The women of Amphissa formed a protective ring around them and when they awoke arranged for them to return home unmolested. The Women of Amphissa by Lawrence Alma-Tadema. On another occasion, the Thyiades were snowed in on Parnassos and it was necessary to send a rescue party. The clothing of the men who took part in the rescue froze solid.
In Greek mythology, Amphissa (Ancient Greek: Ἄμφισσα) or simply, Issa (/ˈiːsɑː/; Ἴσσα) was the daughter of Macareus and a lover of Apollo. She was the eponym of the city Amphissa in Ozolian Locris , [ 1 ] [ 2 ] where her memory was perpetuated by a splendid monument.
Sir Lawrence Alma-Tadema OM, RA, RWS (/ ˈ æ l m ə ˈ t æ d eɪ m ə / AL-mə TAD-ay-mə; [1] born Lourens Alma Tadema, Dutch: [ˈlʌurəns ˈɑlmaː ˈtaːdəmaː]; 8 January 1836 – 25 June 1912) was a Dutch painter who later settled in the United Kingdom, becoming the last officially recognised denizen in 1873.
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Laura Theresa, Lady Alma-Tadema (née Epps; 16 April 1852 – 15 August 1909) was a British painter specialising in domestic and genre scenes of women and children. Eighteen of her paintings were exhibited at the Royal Academy .
Women in Native American communities have been producing art intertwined with spirituality, life, and beauty for centuries. Women have worked to produce traditional art, passing these crafts down generation by generation, as well as contemporary art in the form of photography, printmaking, and performance art. [1]
She was usually called Amphissa. [2] Issa, the eponymous nymph of Issa . She became the mother of the prophet Prylis by Hermes. [3] This son predicted to the Greeks that they would take Troy by means of the Wooden Horse. [4]