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Chigiri-e (ちぎり絵) is a Japanese art form in which the primary technique uses coloured paper that is torn to create images, and may resemble a water colour painting. The technique dates from the Heian period of Japanese history when it was often used in conjunction with calligraphy. Handmade paper is essential for the creation of chigiri ...
An excellent example is the photograph Schweitzer with lamp at his desk by W. Eugene Smith, [2] from his 1954 photo essay A Man of Mercy on Dr. Albert Schweitzer and his humanitarian work in French Equatorial Africa. The image took 5 days to produce, in order to reproduce the tonal range of the scene, which ranges from a bright lamp (relative ...
The in-camera effect, as well as beginner tutorials given for software like Photoshop or GIMP, use a simple tint. More sophisticated software tends to implement sepia tones using the duotone feature. Simpler photo-editing software usually has an option to sepia-tone an image in one step.
The first printed photo using a halftone in a Canadian periodical, October 30, 1869 A multicolor postcard (1899) printed from hand-made halftone plates. While there were earlier mechanical printing processes that could imitate the tone and subtle details of a photograph, most notably the Woodburytype, expense and practicality prohibited their being used in mass commercial printing that used ...
The photo on the right is distorted slightly so that it matches up with the one on the left. Image stitching or photo stitching is the process of combining multiple photographic images with overlapping fields of view to produce a segmented panorama or high-resolution image.
Miniature faking, also known as diorama effect or diorama illusion, is a process in which a photograph of a life-size location or object is made to look like a photograph of a miniature scale model.
John Knoll (born October 6, 1962) is an American visual effects supervisor and chief creative officer (CCO) at Industrial Light & Magic (ILM). [1] One of the original creators of Adobe Photoshop (along with his brother, Thomas Knoll), he has also worked as visual effects supervisor on the Star Wars prequels and the 1997 special editions of the original trilogy.
Photo manipulation dates back to some of the earliest photographs captured on glass and tin plates during the 19th century. The practice began not long after the creation of the first photograph (1825) by Joseph Nicéphore Niépce who developed heliography and made the first photographic print from a photoengraved printing plate.