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S-Video (also known as separate video, Y/C, and erroneously Super-Video) [1] is an analog video signal format that carries standard-definition video, typically at 525 lines or 625 lines. It encodes video luma and chrominance on two separate channels, achieving higher image quality than composite video which encodes all video information on one ...
Combines Analog VGA out, stereo analog audio out, analog microphone in, S-video capture in, Apple desktop bus interface. Proprietary connector used on Apple Macintosh Centris computers, and the Apple AudioVision 14 Display. An attempt by Apple to deal with cable clutter, by combining five separate cables from computer to monitor. Female port ...
S-Video (Separate Video). Carries standard definition video and does not carry audio on the same cable. Mini-DIN 4-pin Component. In popular use, it refers to a type of analog video information that is transmitted or stored as three separate signals. Either RGB interfaces or YPbPr: 3 RCA jacks: Composite, S-Video, and Component
Video in video out (usually seen as the acronym VIVO), commonly pronounced (/ ˈ v i. v oʊ / VEE-voh), is a graphics port which enables some video cards to have bidirectional (input and output) analog video transfer through a mini-DIN connector, usually of the 9-pin variety, and a specialised splitter cable (which can sometimes also transfer analog audio).
TV-out on an Intergraph Intense3D Voodoo Rush; S-video (first connector) and composite video (yellow RCA connector below) The term TV-out is commonly used to label the connector of equipment providing an analog video signal acceptable for a television AV input. TV-out is different from AV-out in that it only provides video, no audio.
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A composite video signal combines, on one wire, the video information required to recreate a color picture, as well as line and frame synchronization pulses. The color video signal is a linear combination of the luminance (Y) of the picture and a chrominance subcarrier which carries the color information (C), a combination of hue and saturation .
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