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Module file (MOD music, tracker music) is a family of music file formats originating from the MOD file format on Amiga systems used in the late 1980s. Those who produce these files (using the software called music trackers) and listen to them form the worldwide MOD scene, [1] a part of the demoscene subculture.
Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping, looping or stretching. [2] [3] Sampladelic techniques have been applied prominently in styles of electronic music and hip hop, [4] such as trip hop, jungle, post-rock, and plunderphonics. [5]
This is a list of software for creating, performing, learning, analyzing, researching, broadcasting and editing music. This article only includes software, not services.
Sampling is one of the foundations of hip hop, which emerged in the 1980s. [34] Hip hop sampling has been likened to the origins of blues and rock, which were created by repurposing existing music. [24] The Guardian journalist David McNamee wrote that "two record decks and your dad's old funk collection was once the working-class black answer ...
Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. Hip hop production is the creation of hip hop music in a recording studio.
In dance or hip hop music sampling, chopping is the "altering [of] a sampled phrase [or break] by dividing it into smaller segments and reconfiguring them in a different order." (Schloss 2004, p. 106)
Cloud rap is a subgenre of hip hop music that has several sonic characteristics of trap music with a hazy, dreamlike and relaxed production style. [3] [4] Rapper Lil B and producer Clams Casino were early pioneers of the style. [3] [4] The term "cloud rap" is derived from its internet origins and ethereal style. [5]
Jungle is a genre of electronic music that developed out of the UK rave scene and Jamaican sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop ...
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