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An art film, art cinema, or arthouse film is typically an independent film, aimed at a niche market rather than a mass market audience. [1] It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", [ 2 ] "made primarily for aesthetic reasons rather than commercial profit", [ 3 ] and containing ...
The Story of Film was featured in its entirety at the 2011 Toronto International Film Festival, [3] and at the 2012 Istanbul International Film Festival. [4] It was exhibited at the Museum of Modern Art in New York City in February 2012. [1] It was broadcast in the United States on Turner Classic Movies, beginning in September 2013. [5]
"Film theory" seeks to develop concise and systematic concepts that apply to the study of film as art. The concept of film as an art-form began in 1911 with Ricciotto Canudo's manifest The Birth of the Sixth Art. The Moscow Film School, the oldest film school in the world, was founded in 1919, in order to teach about and research film theory.
Art – aesthetic expression for presentation or performance, and the work produced from this activity. One of the arts – as an art form, film is an outlet of human expression, that is usually influenced by culture and which in turn helps to change culture. Film is a physical manifestation of the internal human creative impulse.
The abbreviation is not always a short form of the word used in the clue. For example: "Knight" for N (the symbol used in chess notation) Taking this one stage further, the clue word can hint at the word or words to be abbreviated rather than giving the word itself. For example: "About" for C or CA (for "circa"), or RE.
The use of film as an art form traces its origins to several earlier traditions in the arts such as (oral) storytelling, literature, theatre and visual arts. Cantastoria and similar ancient traditions combined storytelling with series of images that were shown or indicated one after the other.
Film theorist P. Adams Sitney offers a concept of "visionary film", and he invented a few genre categories, including the mythopoetic film, the structural film, the trance film and the participatory film, in order to describe the historical morphology of experimental cinema in the American avant-garde from 1943 to the 2000s.
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment. Narrative film is the dominant aesthetic, though non-narrative film is not fully distinct from that aesthetic. While the non ...