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Deleuze describes repetition as a shared value of an otherwise rather disparate trio: Kierkegaard, Nietzsche, and Péguy. He also connects the idea to Freud's death drive. He goes on to define repetition as "difference without a concept" (13). Repetition is thus reliant on difference more deeply than it is opposed.
Download as PDF; Printable version; ... Pages in category "Works by Gilles Deleuze" ... Difference and Repetition; E. Expressionism in Philosophy: Spinoza ...
Gilles Deleuze was born into a middle-class family in Paris and lived there for most of his life. His mother was Odette Camaüer and his father, Louis, was an engineer. [7] His initial schooling was undertaken during World War II, during which time he attended the Lycée Carnot. He also spent a year in khâgne at the Lycée Henri IV.
Deleuze and Guattari oppose the Freudian conception of the unconscious as a representational "theater", instead favoring a productive "factory" model: desire is not an imaginary force based on lack, but a real, productive force. They describe the machinic nature of desire as a kind of "desiring-machine" that functions as a circuit breaker in a ...
Gilles Deleuze and Félix Guattari note that deterritorialization and reterritorialization occur simultaneously. The function of deterritorialization is defined as "the movement by which one leaves a territory", also known as a "line of flight", but deterritorialization also "constitutes and extends" the territory itself.
Plane of immanence (French: plan d'immanence) is a founding concept in the metaphysics or ontology of French philosopher Gilles Deleuze. Immanence, meaning residing or becoming within, generally offers a relative opposition to transcendence, that which extends beyond or outside. Deleuze "refuses to see deviations, redundancies, destructions ...
Download as PDF; Printable version; In other projects Wikimedia Commons; Wikidata item; Appearance. ... Works by Gilles Deleuze (18 P) Pages in category "Gilles Deleuze"
According to Rodowick, 'time-images emerge from what Deleuze calls, in Difference and Repetition, the three passive syntheses of time'. [6] A number of other theorists have gone on to suggest very different relations between Deleuze's full taxonomy of cinema and Difference and Repetition . [ 7 ]