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In 1995, the TFAA's board of directors purchased the property at 700 Congress Avenue in Austin, Texas. Three years later, in November 1998, the TFAA opened its new headquarters, the Jones Center for Contemporary Art. [6] In November 2002, the name of the organization was officially changed from the Texas Fine Arts Association to Arthouse. [8]
The Texana General Collection includes documents, history, maps, and travel and immigration. In addition, this collection houses books from the private library of the last President of the Republic of Texas, Anson Jones—many with his signature and notes. The County History Collection contains over 600 county and city histories of Texas.
The J. Wayne Stark Galleries is an art museum on the campus of Texas A&M University in College Station, TX. It is run by the University Art Galleries Department, which is a part of the Division of Student Affairs. The art gallery is named after J. Wayne Stark, the first director of the Memorial Student Center.
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Nicéphore Niépce's View from the Window at Le Gras, c. 1826, on permanent display in Harry Ransom Center's main lobby. Two prominent items in the Ransom Center's collections are a Gutenberg Bible, [18] [19] one of only 21 complete copies known to exist, and Nicéphore Niépce's c. 1826 View from the Window at Le Gras, the first successful permanent photograph from nature.
In museums, the collection of cultural property or material is normally catalogued in a collection catalog (or collections catalog). Traditionally this was done using a card index , but nowadays it is normally implemented using a computerized database (known as a collection database ) and may even be made available online.
The initial core set of terms was derived from authority lists and the literature of art and architectural history; this core set was reviewed, approved and added to by an advisory team made up scholars from all relevant disciplines, including art and architectural historians, architects, librarians, visual resource curators, archivists, museum personnel, and specialists in thesaurus construction.
Throughout his early years as an artist, Jones served on the staff of the University of Texas at Austin as a supervisor to the Texas Union of Arts and Crafts. [4] During this time he discovered the great painters of light, in particular, Childe Hassam, Jean-Baptiste-Camille Corot and J.M.W. Turner; he also became interested in the works of Luigi Loir, Jean-Bernart Duvivier and Edouard Cortès.