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OpenDyslexic is a free typeface/font designed to mitigate some of the common reading errors caused by dyslexia. The typeface was created by Abbie Gonzalez, who released it through an open-source license. [3] [4] The design is based on DejaVu Sans, also an open-source font. [citation needed]
EasyReading font is a typeface designed to support all of the Latin-alphabet-based languages existing in the world, including those ranging from Turkish and Indonesian, to Swedish. It was created by Federico Alfonsetti with a Design for All methodological approach to help dyslectics in reading with less difficulty and to increase reading speed ...
Dyslexie is a typeface/font that was designed with the intention of mitigating some of the issues that dyslexics experience when reading. As many of the twenty-six letters of the basic Latin alphabet are visually very similar, the typeface emphasizes the parts of the letter that are different from each other.
Atkinson Hyperlegible contains four styles, each of 335 glyphs: regular, bold, italics, and italics bold.It supports diacritics in 27 languages. [4]Elliott Scott of Applied Design Works and studio creative director Craig Dobie made the decision "to break a lot of rules that a lot of designers will care about", [1] for instance adding serifs to the uppercase i but not the uppercase tee [2] and ...
The Bates method is an ineffective and potentially dangerous alternative therapy aimed at improving eyesight.Eye-care physician William Horatio Bates (1860–1931) held the erroneous belief that the extraocular muscles caused changes in focus and that "mental strain" caused abnormal action of these muscles; hence he believed that relieving such "strain" would cure defective vision.
Large-print (also large-type or large-font) refers to the formatting of a book or other text document in which the font size is considerably larger than usual to accommodate people who have low vision. Frequently the medium is also increased in size to accommodate the larger text.
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The chart was designed by Ian Bailey [5] and Jan E. Lovie-Kitchin at the National Vision Research Institute of Australia. [1] [3] They described their motivation for designing the LogMAR chart as follows: "We have designed a series of near vision charts in which the typeface, size progression, size range, number of words per row and spacings were chosen in an endeavour to achieve a ...