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G. P. Rajarathnam (1909–1979), [2] known by his pen name as Bhramara (meaning:Bee), [3] was a Kannada author, lyricist and poet in Karnataka, India. [4] [5] [6] Rajarathnam was well known for composing poems for children. Nissar Ahmed, once quoted as "he understood the minds of children, and
Karibasavaiah (1959 – 3 February 2012) was an Indian actor who appeared in Kannada cinema and a theatre personality. He has acted in over 120 films. He died on 3 February 2012 after a road traffic accident in Bangalore. [1] He made his debut in the movie Undo Hodha, Kondu Hodha.
Panje Mangesh Rao (1874–1937) was an Indian writer and poet who wrote short stories, essays, poems and children's rhymes in Kannada. He is known as 'kavishishya'. He is known as 'kavishishya'. He wrote Huthariya haadu, Naagara haave, Koti chennaya, Gudugudu Gummata Devaru, Maathaado raamappa.
Koti & Chennaya (Circa 1556 A.D to 1591 A.D.) Twin Heroes of Tulu Nadu (Karnataka, India). Koti and Chennayya (Tulu: ಕೋಟಿ ಚೆನ್ನಯ್ಯ Kōṭi Cennayya,) (Circa 1556 A.D to 1591 A.D.) [1] are legendary Tuluva twin heroes characterized in the Tulu epic of the same name, which is considered one of the two truly long epic in Tulu language.
Palakala Seetharam Bhat (16 August 1931 – 26 September 2017) was a Kannada writer. He received Bal sahitya puraskar for his Contribution to Children's Literature in 2012 by Sahitya Akademi . [ 1 ] [ 2 ]
Kuvempu's ancestral house in Kuppali. Kuvempu was born in Hirekodige, a village in Koppa taluk of Chikmagalur district and raised in Kuppalli, a village in Shivamogga district of the erstwhile Kingdom of Mysore (now in Karnataka) into a Kannada-speaking Vokkaliga family. [7]
Most of the children in the neighbourhood studied Urdu. He was inspired by writers G. P. Rajarathnam and M. V. Seetharamiah who were his teachers at high school. He was a post-graduate in Geology who worked as an Assistant Geologist in The Mysore Mines and Geology at Gulbarga before coming in touch with Kuvempu and was invited to the Kannada ...
Kannada poetry dates back many centuries, to before the time of Adikavi Pampa. A revival took place in the early 20th century led by Kuvempu, Dattatreya Ramachandra Bendre, B. M. Srikanthaiah and others. The genre was further developed after Indian independence with poets including Gopalakrishna Adiga