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Clickolding was developed by Strange Scaffold, the creators of El Paso, Elsewhere. It is among the first video games to be funded by Outersloth, a new indie label created by Innersloth . [ 2 ] Game director Xalavier Nelson Jr. described Clickolding as "a dark incremental narrative game about tally counters, motels, and uncomfortable ...
Words with specific British English meanings that have different meanings in American and/or additional meanings common to both languages (e.g. pants, cot) are to be found at List of words having different meanings in American and British English. When such words are herein used or referenced, they are marked with the flag [DM] (different meaning).
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Post-credits scenes may have their origins in encores, an additional performance added to the end of staged shows in response to audience applause. [1] Opera encores were common practice in the 19th century, when the story was often interrupted so a singer could repeat an aria, but fell out of favor in the 1920s due to rising emphasis on dramatic storytelling rather than vocal performance.
Clickers were first used by marine mammal trainer Karen Pryor as a way of communicating with their animals. Dolphins and whales communicate underwater through a series of clicks and whistles known as echolocation, and the clicker allowed a trainer to produce signals they were more likely to understand.
The bot-based click fraud runs repeatedly to attempt clicking on the ads, which increases click frequency for that duration. A high range of clicks with almost similar timestamp points at the possibility of click fraud. A low duration and high frequency mean a high probability of fraud.
A cliché (UK: / ˈ k l iː ʃ eɪ / or US: / k l iː ˈ ʃ eɪ /; French:) is a saying, idea, or element of an artistic work that has become overused to the point of losing its original meaning, novelty, or figurative or artistic power, even to the point of now being bland or uninteresting. [1]
Allusion, or alluding, is a figure of speech that makes a reference to someone or something by name (a person, object, location, etc.) without explaining how it relates to the given context, [1] [2] so that the audience must realize the connection in their own minds. [3]