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The Cathedral of the Incarnation, located at 2015 West End Avenue in Nashville, Tennessee, is the cathedral seat of the Roman Catholic Diocese of Nashville.It is named after the mystery of the Incarnation, which celebrates the miraculous conception of Jesus in the womb of the Virgin Mary, by which God became man according to Christian teaching.
Major Eugene Castner Lewis was the director of the Tennessee Centennial Exposition and it was at his suggestion that a reproduction of the Parthenon be built in Nashville to serve as the centerpiece of Tennessee's Centennial Celebration. Lewis also served as the chief civil engineer for the Nashville, Chattanooga and St. Louis Railroad.
Michelangelo's two frescoes in the Cappella Paolina, The Conversion of Saul and The Crucifixion of St Peter were painted from 1542 to 1549, the height of his fame, but were widely viewed as disappointments and even failures by their contemporary audience. They did not conform to the compositional conventions of the time and the subject-matter ...
Richard Pius Miles, the first Bishop of Nashville, was the driving force behind its construction, and he is now buried there. [2] St. Mary's remained the cathedral until 1914, when the episcopal see was moved to the Cathedral of the Incarnation. The church was added to the National Register of Historic Places in 1970.
The Diocese of Nashville (Latin: Dioecesis Nashvillensis) is a Latin Church ecclesiastical territory, or diocese, of the Catholic Church in the central part of Tennessee in the United States. It is a suffragan diocese in the ecclesiastical province of the metropolitan Archdiocese of Louisville .
Michelangelo concentrated the attention on the depiction of pain and suffering. The faces of the people present are clearly distressed. Pope Paul III commissioned this fresco by Michelangelo in 1541 and unveiled it in his Cappella Paolina. Restoration of the fresco completed in 2009 revealed an image believed to be a self-portrait of ...
The Sagrestia Nuova, also known as the New Sacristy and the Medici Chapel, is a mausoleum that stands as a testament to the grandeur and artistic vision of the Medici family.
Michelangelo probably began working on the plans and sketches for the design from April 1508. [39] The preparatory work on the ceiling was complete in late July the same year and on 4 February 1510, Francesco Albertini recorded that Michelangelo had "decorated the upper, arched part with very beautiful pictures and gold". [39]