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During the early Jōmon period in the 6th millennium BC typical coil-made ware appeared, decorated with hand-impressed rope patterns. Jōmon pottery developed a flamboyant style at its height and was simplified in the later Jōmon period. The pottery was formed by coiling clay ropes and fired in an open fire.
The Wajin (also known as Wa or Wō) or Yamato were the names early China used to refer to an ethnic group living in Japan around the time of the Three Kingdoms period.Ancient and medieval East Asian scribes regularly wrote Wa or Yamato with one and the same Chinese character 倭, which translated to "dwarf", until the 8th century, when the Japanese found fault with it, replacing it with 和 ...
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
Chintzware, or chintz pottery, describes chinaware and pottery covered with a dense, all-over pattern of flowers (similar to chintz textile patterns) or, less often, other objects. It is a form of transferware where the pattern is applied by transfer printing as opposed to the more traditional method of painting by hand.
Yamatai or Yamatai-koku (邪馬台国) (c. 1st century – c. 3rd century) is the Sino-Japanese name of an ancient country in Wa (Japan) during the late Yayoi period (c. 1,000 BCE – c. 300 CE).
The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty ...
The style of pottery created by the Jōmon people is identifiable for its "cord-marked" patterns, hence the name "Jōmon" (縄文, "straw rope pattern").The pottery styles characteristic of the first phases of Jōmon culture used decoration created by impressing cords into the surface of wet clay, and are generally accepted to be among the oldest forms of pottery in East Asia and the world. [9]
According to tradition, the Korean potter Yi Sam-pyeong (d. 1655), or Kanagae Sanbee (金ヶ江三兵衛), is often considered the father of Arita ware porcelain. [2] [3] This narrative is however disputed by many historians.
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