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The Malleus Maleficarum, [a] usually translated as the Hammer of Witches, [3] [b] is the best known treatise about witchcraft. [6] [7] It was written by the German Catholic clergyman Heinrich Kramer (under his Latinized name Henricus Institor) and first published in the German city of Speyer in 1486.
The morality and sympathy of the malcontent is highly variable, as in the examples above. Sometimes, as in Hamlet and The Malcontent, they are the sympathetic centre of the play, whereas Iago is a very unsympathetic character. The most important thing about the malcontent is that the character is malcontent—unhappy, unsettled, displeased with ...
Examples of this could include a noticeable scar, a thick accent or a habit such as cracking their knuckles. Protagonists and other major characters may (and usually do) have multiple minor flaws, making them more accessible, and enabling the reader / viewer / listener to relate to the character (in the case of a sympathetic character ) or ...
In feminist spiritual circles, a "Croning" is a ritual rite of passage into an era of wisdom, freedom, and personal power. [3]According to scholar Clarissa Pinkola Estés, the Crone is "the one who sees far, who looks into the spaces between the worlds and can literally see what is coming, what has been, and what is now and what underlies and stands behind many things.
Hershele Ostropoler - In Ashkenazic Jewish folklore, based on a real person who lived during the 18th century. Huehuecoyotl - the gender-changing coyote god of music, dance, mischief and song of Pre-Columbian Mexico and Aztec Mythology. Befitting a trickster, he is the patron of uninhibited sexuality and often engages in trickery against the ...
Count Dracula is an example of a villain in classic literature and film. Theme from Mysterioso Pizzicato, a cliché silent movie cue for villainy Play ⓘ. A villain (also known as a "black hat" or "bad guy"; the feminine form is villainess) is a stock character, whether based on a historical narrative or one of literary fiction.
Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
Evil, by one definition, is being bad and acting out morally incorrect behavior; or it is the condition of causing unnecessary pain and suffering, thus containing a net negative on the world. [1] Evil is commonly seen as the opposite, or sometimes absence, of good.