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Warhol's April 1966 show at the Leo Castelli Gallery in New York consisted of Cow Wallpaper in one room, and a second room with Warhol's silver helium-filled Clouds. [5]At Warhol's request, the pink and yellow Cow Wallpaper was used as the backdrop to cover all the walls for his 1971 retrospective at the Whitney in New York.
In the modern farmhouse, lighting fixtures may be modeled after designs used a hundred years ago, with contemporary working parts. A chandelier suggests a wagon wheel. Garage doors have a rustic look.
Bessie Stough was born near Wichita, Kansas around 1889 and spent most of her childhood on a farm, where her interest in animals originated. [1] She moved to New York in the early 1920s after marrying The New York Times journalist Harold Callender. Here, she studied drawing under George Bridgman, at the Art Students League, and the Cooper Union.
The earliest pieces in the modern sense as public art date from ca. 1870s America, created by Caroline Shawk Brooks, a farm woman from Helena, Arkansas. [1] The heyday of butter sculpturing was about 1890–1930, [ 1 ] but butter sculptures are still a popular attraction at agricultural fairs, banquet tables and as decorative butter patties.
Elsie the Cow is a cartoon cow developed as a mascot for the Borden Dairy Company in 1936 to symbolize the "perfect dairy product". [1] Since the demise of Borden in the mid-1990s, the character has continued to be used in the same capacity for the company's partial successors, Eagle Family Foods (owned by J.M. Smucker) and Borden Dairy.
The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]
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