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Ai-Da can be displayed in either a standing or seated position; although it has legs, it cannot walk. [12] A pair of cameras in the robot's eyes allow the robot to both make eye contact and, in conjunction with a computer vision algorithm and a modified robotic arm, create sketches of the robot's surroundings. [10]
Ai-Da is heralded as the world’s first ultra-realistic robot artist and has been producing abstract paintings of this year’s Glastonbury headliners. Robot painting Glastonbury’s famous faces ...
Meanwhile, Mizusaki receives word that her parents will come to see her at the festival, and decides to make herself the face of the production to draw in an audience. On the day of the festival, the Robot Club helps Mizusaki advertise the anime showing, and Kanamori blackmails the HVAC Club to keep the auditorium cooler than the other ...
The automated nature of Can't Help Myself categorizes the sculpture as a work of kinetic art, which, in turn, generates an anthropomorphic quality to the robotic arm. [1] This anthropomorphism partially is because of the robotics performative nature and completion of the human task of cleaning up a spillage. [ 1 ]
Sophia's internals. Sophia was first activated on Valentine's Day, [9] February 14, 2016. [2] The robot, modeled after the Ancient Egyptian Queen Nefertiti, [10] Audrey Hepburn, and its inventor's wife, Amanda Hanson, [1] [11] is known for its human-like appearance and behavior compared to previous robotic variants.
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Aiko Nakagawa (born 1975), known as Lady Aiko or AIKO, is a Japanese street artist based in Brooklyn, New York. [1] She is known for her ability to combine western art movements and eastern technical, artistic skills, as well as for her large-scale works installed in cities including Rome, Italy, Shanghai, China and Brooklyn, New York.