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The Ship Sarcophagus: a Phoenician ship carved on a sarcophagus, 2nd century AD.. The theory of Phoenician discovery of the Americas suggests that the earliest Old World contact with the Americas was not with Columbus or Norse settlers, but with the Phoenicians (or, alternatively, other Semitic peoples) in the first millennium BC.
Based on an inscription on a large obelisk at the Temple of the Obelisks, the male ones are interpreted to resemble Resheph, the Phoenician deity of war and plague. [1] The figurines have been described as "crude, stereotyped, mass-produced". [4] It is likely that they were produced in Byblos to be used as ritual offerings.
Additionally, stone and metal artifacts were recovered, including a silver scarab and a spearhead, one of the few examples of Atlantic Bronze Age metallurgy found in the Mediterranean. [23] It is possibly the earliest discovered Phoenician wreckage from the 7th century BCE in the Mediterranean.
Phoenician art was largely centered on ornamental objects, particularly jewelry, pottery, glassware, and reliefs. Large sculptures were rare; figurines were more common. Phoenician goods have been found from Spain and Morocco to Russia and Iraq; much of what is known about Phoenician art is based on excavations outside Phoenicia proper.
The Acámbaro figures were uncovered by a German immigrant and hardware merchant named Waldemar Julsrud. According to Dennis Swift, a young-Earth creationist and major proponent of the figures' authenticity, Julsrud stumbled upon the figures while riding his horse and hired a local farmer to dig up the remaining figures, paying him for each figure he brought back.
The Cesnola Phoenician inscriptions are 28 Phoenician inscriptions from Cyprus (primarily Kition) in the Metropolitan Museum of Art's Cesnola Collection. They were discovered by Luigi Palma di Cesnola during his tenure as the United States Consul to Cyprus from 1865 to 1871. [ 1 ]
Christopher Rollston, "The Dating of the Early Royal Byblian Phoenician Inscriptions: A Response to Benjamin Sass." MAARAV 15 (2008): 57–93.; Benjamin Mazar, The Phoenician Inscriptions from Byblos and the Evolution of the Phoenician-Hebrew Alphabet, in The Early Biblical Period: Historical Studies (S. Ahituv and B. A. Levine, eds., Jerusalem: IES, 1986 [original publication: 1946]): 231–247.
They are foundational artefacts in the study of Phoenician art, together with the Phoenician metal bowls, which were discovered at the same time but identified as Phoenician a few years earlier. However, both the bowls and the ivories pose a significant challenge as no examples of either – or any other artefacts with equivalent features ...
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