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Tristan und Isolde (Tristan and Isolde), WWV 90, is a music drama in three acts by Richard Wagner set to a German libretto by the composer, loosely based on the medieval 12th-century romance Tristan and Iseult by Gottfried von Strassburg.
" Liebestod" ([ˈliːbəsˌtoːt] German for "love death") is the title of the final, dramatic music from the 1859 opera Tristan und Isolde by Richard Wagner. It is the climactic end of the opera, as Isolde sings over Tristan's dead body. The music is often used in film and television productions of doomed lovers. [1]
Tristan und Isolde has a long recorded history. In the years before World War II, Kirsten Flagstad and Lauritz Melchior were considered to be the prime interpreters of the lead roles, and mono recordings exist of this pair in a number of live performances led by conductors such as Thomas Beecham, Fritz Reiner, Artur Bodanzky and Erich Leinsdorf.
The Tristan Chord: Wagner and Philosophy. Macmillan. ISBN 0-8050-7189-X. Mayrberger, Carl. 1994 [1881]. "Die Harmonik Richard Wagner’s an den Leitmotiven aus Tristan und Isolde (1881)", translated and annotated by Ian Bent. In Music Analysis in the Nineteenth Century, Volume 1: Fugue, Form and Style, edited by Ian Bent, 221–252. Cambridge ...
Tristan und Isolde [3] L'Age d'Or: 1930 Luis Buñuel: Tristan und Isolde [3] Murder! 1930 Alfred Hitchcock: Tristan und Isolde [1] City Streets: 1931 Rouben Mamoulian: Die Meistersinger von Nürnberg [2] A Farewell to Arms: 1932 Frank Borzage: Tristan und Isolde [4] The Scarlet Empress: 1934 Josef von Sternberg "Ride of the Valkyries" [2] R.A.F ...
La Belle Iseult by William Morris (1858). The Irish princess, Iseult of Ireland is the daughter of King Anguish of Ireland and Queen Iseult the Elder. She is a main character in the Tristan poems of Béroul, Thomas of Britain, and Gottfried von Strassburg and in the opera Tristan und Isolde by Richard Wagner.
Der fliegende Holländer, Tannhäuser, Lohengrin, Tristan und Isolde and Die Meistersinger von Nürnberg Cosima introduced these five works from 1886 onwards, after she started running the festival on a continuing basis.
With the assistance of King Ludwig II, a second attempt to give a first staging of Tristan und Isolde was made, this time in Munich. [18] On 10 June 1865, a month before his death, Schnorr von Carolsfeld and his wife created the title roles in the world premiere of Wagner's Tristan und Isolde at the Bavarian State Opera.
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