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Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
The museum states that its collection of Northwest Coast ethnographic material is the fifth largest collection of Native American art in the world, numbering 10,000 objects, among which are "the important early Swan, Eells, Emmons, and Waters collections, as well as the unmatched Blackman-Hall and Ottenberg contemporary silkscreen print ...
Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.
The Elspeth McConnell Gallery of Northwest Coast Masterworks was unveiled on June 22, 2017. Designed by Stantec Architecture, the new gallery was converted from the former Michael M. Ames Theatre, and was funded by Montreal-based collector Elspeth McConnell, a $3-million donation from the Doggone Foundation, and a $500,000 grant from the ...
Macnair, Peter L., Alan L. Hoover, and Kevin Neary (1984) The Legacy: Tradition and Innovation in Northwest Coast Indian Art. Vancouver, B.C.: Douglas & McIntyre. ISBN 0-295-96166-X, ISBN 0-88894-418-7; Art Gallery of Greater Victoria, Through My Father's Eyes: The Art of Richard Hunt, March 16, 2000 to August 27, 2000 ISBN 0-88885-186-3
A gallery at the American Museum of Natural History that showcases the Indigenous cultures of the Pacific Northwest, reopened Friday after a five-year, $19 million renovation.
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