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The paintings depict a view of the house where Manet and his family stayed for a few months before his death. The two versions are almost identical, but one is in landscape format, and the other is portrait format. The landscape version measures 71.5 × 92.3 cm and is in the collection of the Alte Nationalgalerie in Berlin, Germany, whereas the ...
Metropolitan Museum of Art (New York) The Kearsarge at Boulogne: 1864: 81.6 × 100 cm: Metropolitan Museum of Art (New York) The Battle of the U.S.S. "Kearsarge" and the C.S.S. "Alabama" 1864: 134 × 127 cm: Philadelphia Museum of Art: The Races at Longchamp: 1865? 43.9 × 84.5 cm: Art Institute of Chicago: Jesus Insulted by the Soldiers: 1865: ...
Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. [31] One of Manet's frequent models at the beginning of the 1880s was the "semimondaine" Méry Laurent, who posed for seven portraits in pastel. [32]
The painting, inspired by Majas on the Balcony by Francisco Goya, was created at the same time and with the same purpose as Luncheon in the Studio.. The three characters, who were all friends of Manet, seem to be disconnected from each other: while Berthe Morisot, on the left, looks like a romantic and inaccessible heroine, the young violinist Fanny Claus and the painter Antoine Guillemet seem ...
The Café-Concert is an 1879 painting by the French painter Édouard Manet, who often captured café scenes depicting social life at the end of the nineteenth century similar to those depicted in this painting.
Boating is an oil-on-canvas painting by French artist Édouard Manet.The painting depicts a man and woman on a sailboat during the summertime. It was painted during in the summer of 1874, during which time Manet was staying on his family's property in Gennevilliers. [1]
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