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The đàn bầu (Vietnamese: [ɗàːn.ɓə̀w]; "gourd zither"; Chữ Nôm: 彈匏), also called độc huyền cầm (獨絃琴, "one-string zither"; the name is only used by the Jing ethnicity in China) is a Vietnamese stringed instrument, in the form of a monochord (one-string) zither.
Đàn bầu - monochord zither: often tuned C3, though tuning varies; Đàn đáy - long-necked three-stringed lute with trapezoidal body: tuned G3 C4; Đàn nguyệt (also called nguyệt cầm, đàn kìm or Quân tử cầm) - moon-shaped two-string lute: no fixed tuning; strings are tuned a 4th, 5th, or 7th (minor), derived from the Chinese yueqin
The girl on the far right is playing the đàn tỳ bà. The đàn tỳ bà or đàn tì bà (Vietnamese: [ɗàːn tì ɓàː], Chữ Nôm: 彈琵琶) is a Vietnamese traditional plucked string instrument derived from the Chinese pipa, [1] That first gained popularity in China before spreading throughout East Asia, eventually reaching Vietnam sometime during the Trần dynasty.
Chèo uses at least three string instruments including đàn nguyệt, đàn nhị, and đàn bầu, in addition to flutes, drums and cymbals. The percussion section consists of big drums, small drums, cylindrical drums, gong, bamboo and tocsin. The small drum is used to maintain the pace, for dancers and notable singers.
The word đá means "stone" in Vietnamese, đàn is instrument. The term đàn đá is of recent origin among Vietnamese musicologists, it had also been referred to as a đàn goong, a Vietnamese gong. [1] Several stones of different sizes are placed in a row. The player then uses a stick to knock the stones, each of which produces a different ...
The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục [1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen. It has a long soundbox with the steel strings, movable ...
Picture of a Guitar phím lõm Đàn lục huyền cầm in cải lương art gallery. The đàn lục huyền cầm (chữ Hán: 彈六絃琴) (literally "lute with six strings"), or colloquially đàn ghi-ta phím lõm (literally ghi-ta "guitar", + phím "fret", + lõm "sunken"), is a scalloped Vietnamese adaptation of the French guitar.
In singing xẩm, the artists often play đàn bầu or đàn nhị to self-accompany, and sometimes they form a band in which one artist sings while others play traditional instruments such as the drum or phách. Depending on the rhythm of the drum, xẩm is divided into two styles, xẩm chợ for a rapid rhythm and xẩm cô đào for a slow ...