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This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
A Collection of Hymns and a Liturgy: for the use of Evangelical Lutheran Churches, to which are added prayers for families and individuals (1834) [257] Church Hymn Book; consisting of hymns and psalms, original and selected. adapted to public worship and many other occasions (1838) [258] Church of the Lutheran Confession. The Lutheran Hymnal (1941)
"As with Gladness Men of Old" is an Epiphany hymn, written by William Chatterton Dix on 6 January 1859 (Epiphany) while he was ill in bed. Though considered by many as a Christmas carol , [ 1 ] it is found in the Epiphany section of many hymnals and still used by many churches. [ 2 ]
The "Great Four" are four hymns widely popular in Anglican and other Protestant churches during the 19th century.[3]In his Anglican Hymnology, published in 1885, the Rev. James King surveyed 52 hymnals from the member churches of the Anglican Communion around the world, and found that 51 of them included these hymns, the so-called Great Four: [4]
"Down in the River to Pray" (also known as "Down to the River to Pray," "Down in the Valley to Pray," "The Good Old Way," and "Come, Let Us All Go Down") is a traditional American song variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a Southern gospel song. The exact origin of the song is ...
The tune for this hymn, Nicaea, was composed by John Bacchus Dykes for the first edition of Hymns Ancient and Modern in 1861. [ 12 ] [ 6 ] [ 7 ] The tune name is a tribute to the First Council of Nicaea – held by the Roman Emperor Constantine I in 325 – which formalized the doctrine of the Trinity.
This hymnal "consisted entirely of versions of Latin hymns, designed for use as Office hymns within the Anglican Church despite the fact that Office hymns had no part in the authorized liturgy. The music was drawn chiefly from plainchant", as was the case with the Veni Emmanuel tune for "O Come, O Come Emmanuel", the combination of which has ...
A Choice Collection of Hymns and Tunes. It was used to describe a new style of church music, songs that were easy to grasp and more easily singable than the traditional church hymns, which came out of the mass revival movement starting with Dwight L. Moody, whose musician was Ira D. Sankey, as well as the Holiness–Pentecostal movement. [3]
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