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A Gibson Lucille model semi-acoustic guitar, unique for having no f-holes. Lucille is the name American blues musician B. B. King (1925–2015) gave to his guitars. They were usually black Gibson guitars similar to the ES-330 or ES-355, and Gibson introduced a B.B. King custom model in 1980, based upon the latter.
Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato, and staccato picking that influenced many later electric guitar blues players.
Indianola Mississippi Seeds is B. B. King's eighteenth studio album. It was released in October 1970 on ABC Records on LP and May 1989 on MCA Records on CD.On this album B. B. King mixed elements of blues and rock music.
King in Chicago, 1981 King's "Lucy" custom-made guitar at the Stax Museum of American Soul Music. King's first instrument was a diddley bow. Next, he built himself a cigar box guitar, and eventually he bought a Guild acoustic guitar. The instrument he is usually associated with is a 1958 Gibson Flying V.
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King.It was recorded on November 21, 1964, at the Regal Theater in Chicago.The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone ' s 2003 edition of the 500 Greatest Albums of All Time list, [6] before dropping to number 299 in a 2020 ...
Limited run of 80 on the occasion of King's 80th birthday; the copy gifted to King was stolen in 2009 and recovered several months later [43] B.B. King "Lucille" ES 2018- Alpine white, TP-6 Fine Tune Tailpiece [44] Balsac: BalSac E-1 FR Schecter [45] Ben Burnley: BB-600 Baritone ESP [46] Ben Weinman: BW-1 Evertune [47] [48] Bill Kelliher: BK ...
B.B. King recorded his version of "The Thrill Is Gone" in June 1969 for his album Completely Well, released the same year. King's version is a slow 12-bar blues notated in the key of B minor in 4/4 time. [4] The song's polished production and use of strings marked a departure from both the original song and King's previous material.
King's version is a slow (65 beats per minute) [5] twelve-bar blues notated in 12/8 time in the key of C. [10] Blues historian Robert Palmer sees King's guitar work on the song as showing his T-Bone Walker influences, "though his tone was bigger and rounder and his phrasing somewhat heavier". [11]
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