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Their only child, Mathew Prichard, was born in 1943. A year later, Rosalind's husband died in the Battle of Normandy. [4] She remarried in 1949, to lawyer Anthony Arthur Hicks (26 September 1916 — 15 April 2005) [5] at Kensington, London, England. [6] They lived in the Greenway Estate until Rosalind's death on 28 October 2004, in Torbay, aged ...
Following Hicks' death in 2004, a new production of the play, starring Jenny Seagrove and Honeysuckle Weeks and produced by Bill Kenwright, was to open in London's West End on 14 December 2009. Kenwright described the play as "brutal and incredibly honest" and "It's a good enough play to stand up without the Christie brand.
The subject of this dedication is Agatha Christie's only child, Rosalind Hicks (1919–2004), the daughter of her first marriage, to Archibald Christie (1890–1962). Rosalind was eleven years of age at the time of the publication of the book.
Monica Hicks is a nurse of Jamaican descent who lives in the same house as Morse. A competent and dedicated nurse, she becomes the young Endeavour's love interest in the second series after caring for him when he suffered a concussion and inspiring and motivating him to finish a complicated case.
Suchet visits the Greenway Estate, Agatha Christie's summer home, recollecting how he met her daughter Rosalind Hicks and her husband Anthony Hicks for their approval before he began filming. He meets Christie's grandson Mathew Prichard who recounts how his grandmother found the character amongst Belgian refugees in Torquay.
In about 1959 she transferred her 278-acre home, Greenway Estate, to her daughter, Rosalind Hicks. [86] [87] In 1968, when Christie was almost 80, she sold a 51% stake in Agatha Christie Limited (and the works it owned) to Booker Books (better known as Booker Author's Division), which by 1977 had increased its stake to 64%.
He says he has worked with engineers and contractors to map the area, including a measurement below Atlantic Avenue at Hicks Street that appears to show a large mass that could be made of metal.
Christie had pushed for the play to be performed, much against the wishes of her daughter, Rosalind Hicks, who was protective of her mother's reputation and felt that this piece would damage it. [3] The revised version incorporated several suggestions from Davis, who had seen the previous 1971 version.