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While the 1920s to 1940s are considered the heyday of modern art movements, there were conflicting nationalistic movements that resented abstract art, and Germany was no exception. Avant-garde German artists were now branded both enemies of the state and a threat to the German nation.
The Great German Art Exhibition promoted the genre of sculpture at the expense of painting. [50] As such, the nude male was the most common representation of the ideal Aryan; the artistic skill of Arno Breker elevated him to become the favourite sculptor of Adolf Hitler.
Art critic Wieland Schmeid in 1977 posited that despite the fact that the terms were meant to refer to the same thing, the understanding of them as different groups derives from the fact that the movement had a right and left wing, with the Magic Realists on the right — many later supporting fascism or accommodating to it— and the verists ...
Elisabeth von Eicken (1862–1940) Andreas Eigner (1801–1870) Fritz Eisel (1929–2010) Felix Eisengräber (1874–1940) Marie Ellenrieder (1791–1863) Friedrich August Elsasser (1810–1845) Adam Elsheimer (1578–1610) Ludwig Elsholtz (1805–1850) Wilhelm Emelé (1830–1905) Edgar Ende (1901–1965) Sylvester Engbrox (born 1964)
Adolf Hitler during his speech at the opening of the 1st Great German Art Exhibition 1937. The Great German Art Exhibition, which spanned the first floor, the upper floor and the two-story "Hall of Honour" in the centre of the building, was promoted as the most important cultural event in Nazi Germany. The show was conceived as a sales ...
Pages in category "German art movements" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. B. Beuron school;
German art movements (2 C, 14 P) H. History of art in Germany (1 C, 3 P) M. ... Pages in category "German art" The following 30 pages are in this category, out of 30 ...
The artists of the November Group kept the spirit of radicalism alive in German art and culture during the Weimar Republic. Many of the painters, sculptors, music composers, architects, playwrights, and filmmakers who belonged to it, and still others associated with its members, were the same ones whose art would later be denounced as ...
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