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site of the residence of Makino Tomitarō; also a registered Historic Site and Place of Scenic Beauty 35°44′47″N 139°35′07″E / 35.74643°N 139.58530°E / 35.74643; 139.58530 ( Makino Memorial
Kitanomaru Park (北の丸公園, Kitanomaru Kōen) is a public park in Chiyoda, central Tokyo, Japan, just north of the Tokyo Imperial Palace. It is the location of the Nippon Budokan indoor sports and performance venue, the Science Museum, and the National Museum of Modern Art, Tokyo.
The National Art Center, Tokyo; O. Omori Shell Mounds; P. List of Places of Scenic Beauty of Japan (Tokyo) S. Seven Islands of Izu; Shibuya Crossing; Starbucks Reserve;
Hibiya Park (Japanese: 日比谷公園, Hibiya Kōen) is a park in Chiyoda City, Tokyo, Japan. It covers an area of 161,636.66 m 2 (40 acres) between the east gardens of the Imperial Palace to the north, the Shinbashi district to the southeast and the Kasumigaseki government district to the west.
A sign at a park featuring Irasutoya illustrations. In addition to typical clip art topics, unusual occupations such as nosmiologists, airport bird patrollers, and foresters are depicted, as are special machines like miso soup dispensers, centrifuges, transmission electron microscopes, obscure musical instruments (didgeridoo, zampoña, cor anglais), dinosaurs and other ancient creatures such ...
Rikugi-en (六義園 [1]) is a metropolitan park in Bunkyō-ku, Tokyo, Japan. The name Rikugi-en means "garden of six principles", referring to the six elements in waka poetry, based on the traditional division of Chinese poetry into six categories. The gardens consist of a small pond, trees, and a hill.
Hama-rikyū Gardens (浜離宮恩賜庭園, Hama-rikyū Onshi Teien) is a metropolitan garden in Chūō ward, Tokyo, Japan. Located at the mouth of the Sumida River, it was opened to the public on April 1, 1946. A landscaped garden of 250,216 m² includes Shioiri-no-ike (Tidal Pond), and the garden is surrounded by a seawater moat filled by ...
In 1468, at the age of 48, Sesshū embarked on a trip to Ming China to study contemporary modes and styles of landscape paintings. Though initially studying under the auspices of Tenshō Shūbun and Josetsu, the expedition and visits to vast regions and cities from Beijing and Ningbo helped expanded and developed the styles that would be utilized in Autumn and Winter Landscapes.