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5–32 / 7–32. In music, the dominant 7♯9 chord [1] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.
The tenoris a type of male singing voiceand is the highest male voice within the modal register. The typical tenor voice lies between C3(C one octave below middle C), to the high C (C5). The low extreme for tenors is roughly A2(two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F5).
"In an age before radio and television, and in a time when only the wealthy could afford a record player, the piano was a sign that a family had achieved middle-class respectability." Hundreds of piano manufacturers were founded between 1880 and 1910 to serve the burgeoning market. In 1892, for example, the country's total estimated production ...
Dominant (music) In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the dominant because it is second in importance to the first scale degree, the tonic. [1] [2] In the movable do solfège system, the dominant note is sung as "So (l)". Chords with a dominant function: dominant chords ( seventh, ninth, and ...
Parties in the former bellwether state take lessons from 2023 abortion, marijuana votes. COLUMBUS, Ohio (AP) — For more than half a century, Ohio was one of the most important states to watch ...
Carmen Ohio. "Carmen Ohio" (Latin: Song of Ohio) is the oldest school song still used by Ohio State University. The song was composed by freshman athlete and Men's Glee Club member Fred Cornell in 1902 or 1903. According to some accounts, he composed it on the train ride home from Ann Arbor, Michigan after Ohio State suffered an 86-0 loss to ...
Blue notes (in blue): ♭ 3, ( ♯ 4)/ ♭ 5, ♭ 7. The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [1] [2] [3] The lowered fifth is also known as the raised fourth. [4] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes ...
In contrast, low C and D, both roots of very common chords, are sorely missed if a harpsichord with lowest key E is tuned to match the keyboard layout. When scholars specify the pitch range of instruments with this kind of short octave, they write "C/E", meaning that the lowest note is a C, played on a key that normally would sound E.