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Shine: The Best of the Early Years is a compilation album by David Gray, released on 26 March 2007 in the UK and a day later in the US. The compilation contains tracks from Gray's first three albums and was released ahead of his Greatest Hits album, which followed in November.
Shine (originally titled That's Why They Call Me Shine) is a popular song with lyrics by Cecil Mack and Tin Pan Alley songwriter Lew Brown and music by Ford Dabney.It was published in 1910 by the Gotham-Attucks Music Publishing Company and used by Aida Overton Walker in His Honor the Barber, an African-American road show.
This allows for the note range of B standard tuning without transposing E standard guitar chords down two and a half steps down. Baritone 7-string guitars are available which features a longer scale-length allowing it to be tuned to a lower range. Standard 7-string tuning – B'-E-A-d-g-b-e' Standard tuning for a seven-string guitar.
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
Greatest Hits is a compilation album by English singer-songwriter David Gray, released on 12 November 2007 in the UK and a day later in the US. Greatest Hits contains songs from his first album, A Century Ends in 1993, through to his 2005 album Life in Slow Motion, and includes two new songs: the first single "You're the World to Me" and "Destroyer".
Shine was a various artists compilation album series released by PolyGram TV in Britain from 1995 to 1998, centring on indie rock, largely from new British bands (several American bands, like Green Day and Dinosaur Jr. appeared sparingly).
A chord built upon the note E is an E chord of some type (major, minor, diminished, etc.) Chords in a progression may also have more than three notes, such as in the case of a seventh chord (V 7 is particularly common, as it resolves to I) or an extended chord.
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...