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The Mystic Marriage of St. Catherine (or Virgin and Child with Saints Catherine of Alexandria and Barbara) is a c. 1480 oil-on-oak painting by the Early Netherlandish painter Hans Memling, now in the Metropolitan Museum of Art, New York. The Virgin Mary sits on a throne in a garden holding the Child Jesus in her lap.
Procession of virgin martyrs bearing both martyr's palms and wreaths as the crown of a virgin (master of Sant'Apollinare Nuovo, 6th century). The title Virgin (Latin: Virgo, Ancient Greek: Παρθένος) is an honorific bestowed on female saints and blesseds, primarily used in the Eastern Orthodox Church and the Catholic Church.
This is an incomplete list of humans and angels whom the Catholic Church has canonized as saints.According to Catholic theology, all saints enjoy the beatific vision.Many of the saints listed here are to be found in the General Roman Calendar, while others may also be found in the Roman Martyrology; [1] still others are particular to local places and their recognition does not extend to the ...
A rare version with both saints: Ambrogio Bergognone, The Mystical Marriage of Saint Catherine of Alexandria and Saint Catherine of Siena. The mystical marriage of Saint Catherine covers two different subjects often shown in Catholic art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical ...
Venerated in the Eastern Orthodox Church, she symbolizes courage and devotion. [22] Agnes (Saint & Virgin Martyr) c. 291 – 340 CE Rome: Twelve year old Agnes was a Christian from a noble family but expected to marry the Roman son of a city official. She informed him that her fiancé was Jesus Christ. She was subsequently executed by a sword.
Virgin with saints and donor portraits, the three panels of the open view Closed view; the wings with an Annunciation. The Triptych with the Virgin and Child, Saints and Donors is a triptych depicting the Virgin Mary and Child Jesus, with several saints and an unidentified donor couple by the Master of Delft, created c. 1500-1510.
One of the group depictions of the fourteen Saints is a 1503 altarpiece by Matthias Grünewald for the monastery in Lichtenfels in Upper Franconia. The fourteen angels of the lost children's prayer in Engelbert Humperdinck's fairy opera, Hansel and Gretel, symbolize the Fourteen Holy Helpers. [15] The English words are familiar:
It originally comprised four elements, of which three survive, now all separated: a main panel of the Crucified Christ with the Virgin Mary, Saints and Angels which was bequeathed to the National Gallery, London, by Ludwig Mond, and a three-panel predella from which one panel is lost; the two surviving panels are Eusebius of Cremona raising ...
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