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Huichol art was first documented in the very late 19th century by Carl Lumholtz. This includes the making of beaded earrings, necklaces, anklets and even more. [1] What mostly links the yarn paintings and beaded objects made today is the continuance of the traditional patterns used for centuries to represent and communicate with the gods. [2]
Brush application is especially useful to cover large areas of a cloth. Batik painting is a development of traditional batik art, producing contemporary (free) motifs or patterns. It may use more colours that are traditional in written batik. [39] Painted batik using brushes
African wax prints, Dutch wax prints[1][2] or Ankara, [3] are a type of common material for clothing in West Africa and Central Africa. They were introduced to West and Central Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian designs. [4] They began to adapt their designs and colours to suit the ...
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though ...
Hmong Textile Art consists of traditional and modern textile arts and crafts produced by the Hmong people. Traditional Hmong textile examples include hand-spun hemp cloth production, basket weaving, batik dyeing, and a unique form of embroidery known as flower cloth or Paj Ntaub in the Hmong language RPA. The most widely recognized modern style ...
A wax sculpture is a depiction made using a waxy substance. Often these are effigies, usually of a notable individual, but there are also death masks and scenes with many figures, mostly in relief. The properties of beeswax make it an excellent medium for preparing figures and models, either by modeling or by casting in molds.
The original wax sculpture at the National Gallery of Art, Washington, D.C.. The Little Fourteen-Year-Old Dancer (French: La Petite Danseuse de Quatorze Ans) is a sculpture begun c. 1880 by Edgar Degas of a young student of the Paris Opera Ballet dance school, a Belgian named Marie van Goethem.
Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
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