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Many music theorists concur that the constituent intervals of a scale have a large role in the cognitive perception of its sonority, or tonal character. "The number of the notes that make up a scale as well as the quality of the intervals between successive notes of the scale help to give the music of a culture area its peculiar sound quality."
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...
The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales . Like many musical scales, it is made up of seven notes : the eighth duplicates the first at double its frequency so that it is called a higher octave of the same note (from Latin "octavus", the eighth).
A heptatonic scale is a musical scale that has seven pitches, or tones, per octave. Examples include: the diatonic scale; including the major scale and its modes (notably the natural minor scale, or Aeolian mode) the melodic minor scale, like the Aeolian mode but with raised 6th and 7th ascending. the harmonic minor scale, like the Aeolian mode ...
Definition. [] The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale.
A musical scale is a series of pitches in a distinct order. The concept of "mode" in Western music theory has three successive stages: in Gregorian chant theory, in Renaissance polyphonic theory, and in tonal harmonic music of the common practice period. In all three contexts, "mode" incorporates the idea of the diatonic scale, but differs from ...
The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.
Music theory in most European countries and others [note 1] use the solfège naming convention. Fixed do uses the syllables re–mi–fa–sol–la–ti specifically for the C major scale, while movable do labels notes of any major scale with that same order of syllables.
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