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It went quickly." The String Quartet No. 12 in F major, Op. 96, nicknamed the American Quartet, is the twelfth string quartet composed by Antonín Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire.
Smyčcový kvartet č. 12 F dur „Americký“ String Quartet No. 12 in F major "American" 2 violins, viola and cello: 180: 97: 1893: Smyčcový kvintet č. 3 Es dur „Americký“ String Quintet No. 3 in E ♭ major "American" 2 violins, 2 violas and cello: 181: 94: 1893: Rondo g moll pro violoncello a orchestr: Rondo in G minor: cello and ...
In 1887, Antonín Dvořák selected 12 of the 18 love songs from his collection Cypresses (Czech: Cypřiše), B.11, of 1865, and arranged them for string quartet, B.152. [1] He also named these 12 pieces Cypresses. [2] The 12 pieces he selected from B. 11 are Nos. 2–4, 6–9, 12, 14, and 16–18; the original songs are for solo voice and ...
String Quartet No. 7 (Dvořák) String Quartet No. 8 (Dvořák) String Quartet No. 9 (Dvořák) String Quartet No. 10 (Dvořák) String Quartet No. 11 (Dvořák) String Quartet No. 12 (Dvořák) String Quartet No. 13 (Dvořák) String Quartet No. 14 (Dvořák) Cypresses (Dvořák; quartet version)
Antonín Dvořák composed over 200 works, most of which have survived. They include nine symphonies, ten operas, four concertos and numerous vocal, chamber and keyboard works. His most famous pieces of music include the Ninth Symphony (From the New World), the Cello Concerto, the American String Quartet, the Slavonic Dances, and the opera Rusalka.
Described by Šourek as "one of the loveliest and most profound slow movements in Dvorak's creation". Molto vivace in B minor and 3 4 time More like a rondo, with episodes in A-flat major and D major for trios, than a typical scherzo (as is more often found in this place in a string quartet in the Romantic music era). Finale.
String Quartet No. 11 (Dvořák) Antonín Dvořák composed his String Quartet No. 11 in C major, Op. 61, B. 121, between late October and early November 1881 to fulfill a commission from the Hellmesberger Quartet. [1]
This led to the same opus number being given to more than one of Dvořák's works; for example, the opus number 12 was assigned successively to the opera King and Charcoal Burner (1871), the Concert Overture in F (1871, derived from the opera), the String Quartet No. 6 in A minor (1873), the Furiant in G minor for piano (1879), and the Dumka in ...
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