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I wrote this in a matter of minutes. The rest of the album was done. I listened to it and thought, 'There’s not a good single.' So I sent the band out to a game of football and made up 'Evil Woman' on the spot. The first three chords came right to me. It was the quickest thing I’d ever done. We kept it slick and cool, kind of like an R&B song.
The singles "Evil Woman" and "Strange Magic" were the most commercial songs that the group had recorded up to that point. "Evil Woman" was a big hit in the UK and the US, embracing disco rhythms while still embodying ELO's classic sound. Lynne wrote the chords and melody of this song in only six minutes, making it his fastest feat of composition.
"Evil Woman", sometimes titled "Evil Woman (Don't Play Your Games with Me)", is a song by Minneapolis–St. Paul–based band Crow, on their 1969 album Crow Music. It reached number 19 on the US Billboard Hot 100 pop chart and number 65 in Australia.
“Livin’ Thing” had an augmented chord. George (Harrison) used a lot of those chords, too. I think the influence of using those types of chords came from the Long Wave sort of songs. Trying to marry the two styles together, trying to put those funny old Victorian chords into a new song gives it a good lift.
Evil Woman may refer to: "Evil Woman" (Crow song), later covered by Black Sabbath "Evil Woman" (Electric Light Orchestra song), 1975 "Evil Woman", a song by Greg Page ...
"Black Sabbath" is a song by the English heavy metal band of the same name, written in 1969 and released on their eponymous debut album in 1970. In the same year, the song appeared as an A-side on a four-track 12-inch single, with "The Wizard" also on the A-side and "Evil Woman" and "Sleeping Village" on the B-side, on the Philips Records label Vertigo.
The 10,000 steps per day rule isn’t based in science. Here’s what experts have to say about how much you should actually walk per day for maximum benefits.
Between 3:16 and 3:19, the song features a string crescendo which was reused (played backwards, from 2:40 to 2:44) on another of the album's tracks, "Evil Woman". [4] "I took the high string part of Nightrider that climbs up to a climax, and used it backwards in Evil Woman as a big effect. I was amazed when it slotted in seamlessly."