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Word and Object is a 1960 work by the philosopher Willard Van Orman Quine, in which the author expands upon the line of thought of his earlier writings in From a Logical Point of View (1953), and reformulates some of his earlier arguments, such as his attack in "Two Dogmas of Empiricism" on the analytic–synthetic distinction. [1]
Writer Andrea Phillips noted that assigning a single role for every detail makes a story predictable and leaves it "colorless". [18] Writing in 1999, Donald Rayfield noted that in Chekhov's play The Cherry Orchard, contrary to Chekhov's own advice, there are two loaded firearms that are not fired. The unfired rifles tie into the play's theme of ...
Auto-antonymy: Change of a word's sense and concept to the complementary opposite, e.g., bad in the slang sense of "good". Auto-converse: Lexical expression of a relationship by the two extremes of the respective relationship, e.g., take in the dialectal use as "give".
According to Freud's work (1900), condensation and displacement (from German Verdichtung and Verschiebung) are two closely linked concepts. [10] In the unconscious, through the dynamic movement of cathexis (charge of libido, mental or emotional energy), it is possible that an idea (image, memory, or thought) passes on its whole charge to another idea; Freud called this process "displacement."
In linguistics, an object is any of several types of arguments. [1] In subject-prominent, nominative-accusative languages such as English, a transitive verb typically distinguishes between its subject and any of its objects, which can include but are not limited to direct objects, [2] indirect objects, [3] and arguments of adpositions (prepositions or postpositions); the latter are more ...
In editorial practice, a trope is "a substitution of a word or phrase by a less literal word or phrase". [2] Semantic change has expanded the definition of the literary term trope to also describe a writer's usage of commonly recurring or overused literary techniques and rhetorical devices (characters and situations) [3] [4] [5], motifs, and ...
Two Girls Reading by Pierre-Auguste Renoir. Reader-response criticism is a school of literary theory that focuses on the reader (or "audience") and their experience of a literary work, in contrast to other schools and theories that focus attention primarily on the author, content, or form of the work.
Converses can be understood as a pair of words where one word implies a relationship between two objects, while the other implies the existence of the same relationship when the objects are reversed. [3] Converses are sometimes referred to as complementary antonyms because an "either/or" relationship is present between them. One exists only ...