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Mary Wollstonecraft Shelley (UK: / ˈ w ʊ l s t ən k r ɑː f t / WUUL-stən-krahft, US: /-k r æ f t /-kraft; [2] née Godwin; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. [3]
Mathilda, or Matilda, [1] is the second long work of fiction of Mary Shelley, written between August 1819 and February 1820 and first published posthumously in 1959.It deals with common Gothic themes of incest and suicide.
The Invisible Girl is a Gothic tale written by Mary Shelley and first published in The Keepsake for 1833. The tale is set in Wales, and tells the story of a young woman named Rosina, who lives with her guardian, Sir Peter Vernon, and is secretly engaged to his son, Henry.
Constance, engraving by Charles Heath from the painting by Louisa Sharpe from The Keepsake for 1832, story The Dream "The Dream" is a Gothic tale written by Mary Shelley and first published in The Keepsake for 1832. Set in France around the turn of the seventeenth century, it is the story of a young woman named Constance who is in love with ...
Richard Rothwell, Mary Shelley, (1839-40) This is a bibliography of works by Mary Shelley (30 August 1797 – 1 February 1851), the British novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or, The Modern Prometheus (1818). She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy ...
Born in Italy, Elizabeth Lavenza was adopted by Victor's family.In the first edition (1818), she is the daughter of Victor's aunt and her Italian husband. After her mother's death, Elizabeth's father—intending to remarry—writes to Victor's father and asks if he and his wife would like to adopt the child and spare her being raised by a stepmother (as Mary Shelley had unhappily been).
That same year, Mary Shelley wrote the children's story Maurice for Laurette. In 1824 Mary Shelley submitted Proserpine for publication to The Browning Box, edited by Bryan Walter Procter, but it was rejected. [7] The play was first published in 1832 in the London periodical The Winter's Wreath. [7]
In Lodore, Shelley focused her theme of power and responsibility on the microcosm of the family. [2] The central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two "heroines" to negotiate.