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The Beatles' Second Album "She Loves You" "I'll Get You" UK & US single (US on Swan) 1 — 3 — — — — — 1 — 7 — 7 — 1 — 1 — — — 1 — BPI: Silver [13]; The Beatles' Second Album
Kurt Hoffman's Band of Weeds performs "Revolution #9" on the 1992 album Live at the Knitting Factory: Downtown Does the Beatles (Knitting Factory Records). [56] The jam band Phish performed "Revolution 9" (along with almost all of the songs from The Beatles) at their Halloween 1994 concert that was released in 2002 as Live Phish Volume 13. [57]
These include demos, outtakes, songs the group only recorded live and not in the studio and, for The Beatles Anthology in the 1990s, two reunion songs: "Free as a Bird" and "Real Love". [41] A final reunion song, "Now and Then", was released in 2023. [42] The Beatles remain one of the most acclaimed and influential artists in popular music history.
4. "Love of the Loved" by Cilla Black. 1963 "Love of the Loved" is a song credited to John Lennon and Paul McCartney and was recorded as part of their unsuccessful audition sessions for Decca Records.
"Revolution" is a song by the English rock band the Beatles, written by John Lennon and credited to the Lennon–McCartney partnership. Three versions of the song were recorded and released in 1968, all during sessions for the Beatles' self-titled double album, also known as the "White Album": a slow, bluesy arrangement ("Revolution 1") included on the album; an abstract sound collage (titled ...
A music video for “Now and Then”, which is expected to be the last Beatles song, has been released. The video, directed by Peter Jackson, includes unseen footage of the band and what the ...
"For No One" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written by Paul McCartney, and credited to Lennon–McCartney.An early example of baroque pop [1] [2] [3] drawing on both baroque music and nineteenth-century art song, [4] it describes the end of a romantic relationship.
Like many early Beatles songs, the title of "She Loves You" was framed around the use of personal pronouns. [9] But unusually for a love song, the lyrics are not about the narrator's love for someone else; instead the narrator functions as a helpful go-between for estranged lovers: You think you lost your love, Well, I saw her yesterday.
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