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Symphonie fantastique on the Hector Berlioz Website, with links to Scorch full score and programme note written by the composer. Symphonie fantastique: Scores at the International Music Score Library Project; Keeping Score: Berlioz Symphonie fantastique, multimedia website with interactive score produced by the San Francisco Symphony; European ...
Symphonie fantastique, Op. 14 (1830) Episode de la vie d'un artiste. Grande Symphonie fantastique. Partition de Piano: c. 1833 S.470 In c. 1864–65 Liszt made a new transcription of the 4th movement, "March au supplice". [10] L'idée fixe. Andante amoroso: S.395 Based on the theme of the Symphonie: Lélio, Op. 14b (1831)
"Dream of Witches' Sabbath" from Symphonie Fantastique. The violins and violas play col legno, striking the wood of their bows on the strings (Berlioz 1899, 220–22). Heinrich Ignaz Franz von Biber; Battalia (1673). The strings play col legno, striking the wood of their bows on the strings, in addition to numerous other techniques (Boyden 2001).
Symphonia Domestica ("Domestic Symphony"), Op. 53 (1903). A musical description of the composer's personal daily life, including an unflattering musical picture of Frau Strauss; Eine Alpensinfonie ("An Alpine Symphony"), Op. 64 (1915). A work with twenty-two named narrative sections describing the ascent of an alpine mountain.
Berlioz by August Prinzhofer, 1845. Louis-Hector Berlioz [n 1] (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid ...
The symphonies played most frequently were César Franck's D minor Symphony, the Symphonie fantastique, Beethoven's Seventh, Tchaikovsky's Fifth and Sixth, and the first two symphonies of Brahms. Works by Richard Strauss featured almost as often as those of Debussy, and Wagner's Prelude and "Liebestod" from Tristan und Isolde as often as The ...
A musical example of such irony can be found in the last movement of the Symphonie fantastique by Hector Berlioz which quotes the medieval (Gregorian) Dies Irae (Day of Judgment) melody in a shockingly modernistic manner. In 1830 Liszt attended the first performance of the symphony and was struck by its powerful originality.
The shorthand for the instrumentation of a symphony orchestra (and other similar ensembles) is used to outline which and how many instruments, especially wind instruments, are called for in a given piece of music. The shorthand is ordered in the same fashion as the parts of the individual instruments in the score (when read from top to bottom).
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