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A flute concerto is a concerto for solo flute and instrumental ensemble, customarily the orchestra. Such works have been written from the Baroque period, when the solo concerto form was first developed, up through the present day.
The work features a highly florid flute section, a rather uncommon phenomenon at the time as the flute was both a new instrument in France and seen as more so a background instrument in late-19th century orchestration. Thus, the fact that it plays a leading role makes this concerto a rarity and one of the early examples of the flute gaining a ...
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The Concerto for Flute and Orchestra was written by Josef Reicha in 1781, shortly after he went on a Grand Tour in the mid to late 1770s. [1] Though the work was composed in 1781, far beyond the date music historians have deemed as the beginning of the classical era, it displays many characteristics of the galant musical style characteristic of the pre-classical post-Baroque music of the ...
The Concierto pastoral is a flute concerto by Joaquín Rodrigo.Rodrigo wrote the work during 1977–1978 on commission from James Galway, who had first encountered the composer's work in 1974 when he asked permission to transcribe the Fantasia para un Gentilhombre for flute.
The Flute Concerto No. 1 in G major, K. 313, was written in 1778 by Wolfgang Amadeus Mozart.. Commissioned by the Dutch surgeon and amateur flutist Ferdinand Dejean [Wikidata] (1731–1797) in 1777, Mozart was supposed to provide four flute quartets and three flute concertos, yet he only completed two of the three concertos, this one being the first. [1]
Johann Joachim Quantz (German:; 30 January 1697 – 12 July 1773) was a German composer, flutist and flute maker of the late Baroque period.Much of his professional career was spent in the court of Frederick the Great.
The concerto is cast in four short movements that follow a slow–fast–slow–fast structure reminiscent of the 17th-century Italian sonata da chiesa. [2] Although tonally adventurous, [ 10 ] the work is notable for its melodic simplicity and lack of gratuitous virtuosity, which sets it apart from the Romantic tradition of showy concertos.