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Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
Some years ago, in 1936, I had to write to a very dear and honoured friend of mine, who has since died, Sir Austen Chamberlain, brother of the present Prime Minister, and I concluded my letter with a rather banal remark "that we were living in an interesting age". Evidently he read the whole letter, because by return mail he wrote to me and ...
Ichi-go ichi-e (Japanese: 一 期 一 会, pronounced [it͡ɕi.ɡo it͡ɕi.e], lit. "one time, one meeting") is a Japanese four-character idiom that describes a cultural concept of treasuring the unrepeatable nature of a moment. The term has been roughly translated as "for this time only", and "once in a lifetime".
The only way to understand a woman is to love her; The old wooden spoon beats me down; The only way to find a friend is to be one; The pen is mightier than the sword; The pot calling the kettle black; The proof of the pudding is in the eating; The rich get richer and the poor get poorer; The road to Hell is paved with good intentions
The Japanese yojijukugo are closely related to the Chinese chengyu, in that a great many of the former are adopted from the latter and have the same or similar meaning as in Chinese. [2] Many other yojijukugo, however, are Japanese in origin. Some examples of these indigenous Japanese four-character idioms are:
Within the letters of this period, descriptions of feelings and emotions were key. Emotions presented included: loneliness, sadness, disappointment, astonishment, joy and much more. Sometimes letters written in the period expressed thoughts on current social events. This provided much information towards many during the time. [1]
Japanese commonly use proverbs, often citing just the first part of common phrases for brevity. For example, one might say i no naka no kawazu (井の中の蛙, 'a frog in a well') to refer to the proverb i no naka no kawazu, taikai o shirazu (井の中の蛙、大海を知らず, 'a frog in a well cannot conceive of the ocean').
The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana.Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis.