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The toga virilis ("toga of manhood") was a semi-elliptical, white woolen cloth some 6 feet (1.8 m) in width and 12 feet (3.7 m) in length, draped across the shoulders and around the body. It was usually worn over a plain white linen tunic. A commoner's toga virilis was a natural off-white; the senatorial version was more voluminous, and brighter.
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
Clothes were mainly homemade, and often served many purposes (such as bedding). Despite popular imagination and media depictions of all-white clothing, elaborate design and bright colors were favored. [36] Ancient Greek clothing consisted of lengths of linen or wool fabric, which generally was rectangular.
Swedish industrialist Emanuel De Geer in an outfit from 1656 with linen shirt with cuffs and a doublet with slashed sleeves. Over the shoulder can be seen a baldric, and at his side a rapier. Dutch fashions, 1658. White boothose, petticoat breeches
The wealthy and middle-class men's shift of the time was white, had full sleeves, and made of linen, cotton, muslin, silk, or silk-cotton stripe. It was an underlayer. The lower-class men's shifts were often an outer layer. Theirs were commonly made of blue cotton or linen (an 'eree) or brown wool (a zaaboot).
A fashion in men's clothing for the dark furs sable and marten arose around 1380, and squirrel fur was thereafter relegated to formal ceremonial wear. [14] Ermine, with their dense white winter coats, was worn by royalty, with the black-tipped tails left on to contrast with the white for decorative effect, as in the Wilton Diptych above.
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