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Yoke thé and puppet master. Yoke thé (Burmese: ရုပ်သေး; MLCTS: rupse:, IPA: [joʊʔ θé], literally "miniatures") is the Burmese name for marionette puppetry. . Although the term can be used for puppetry in general, its usage usually refers to the local form of string puppe
A pull string puppet is a puppet consisting of a cloth body where in the puppeteer puts his/her arm into a slot in the back and pulls rings on strings to make certain movements such as waving the arms or moving the mouth.
Pelham Puppets were simple wooden marionette puppets made in England by Bob Pelham (1919–1980), starting in 1947. While mainly known for making marionettes, his company also manufactured glove puppets, rod puppets and ventriloquist puppets. The company ceased to trade in 1993 and some of its products became collectable.
Marionette puppetry was used to display rituals and ceremonies using these string-operated figurines back in ancient times and is still used today. [ specify ] Puppetry was practiced in Ancient Greece and the oldest written records of puppetry can be found in the works of Herodotus and Xenophon , dating from the 5th century BC.
Kathputli is a string puppet theatre, native to Rajasthan, India, and is the most popular form of Indian puppetry. [1] Being a string marionette, it is controlled by a single string that passes it from the top of the puppet over the puppeteers. [2] Putli meaning a doll. Kathputli means a puppet which is made entirely from wood.
Supermarionation (a portmanteau of the words "super", "marionette" and "animation") [1] is a style of television and film production employed by British company AP Films (later Century 21 Productions) in its puppet TV series and feature films of the 1960s.
The Marionettes (1963) (variously translated as "The Puppets" as well) is a puppetry play by Bahram Beyzai, and one of the most important plays of the Persian language.It has been staged numerous times in various languages around the world.
The Tramp Clown marionette made by Waldo and Muriel Lanchester. Lanchester and his wife Muriel became interested in the puppetry revival of the early 20th century pioneered by H.W. Whanslaw, whose book Everybody's Theatre was published in 1923. He joined Whanslaw to found the British Puppet and Model Theatre Guild.
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