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Dominant narratives are often discussed in tandem with counternarratives. This term has been described as an "invisible hand" that guides reality and perceived reality. [2] Dominant culture is defined as the majority cultural practices of a society. [3] Dominant narrative is similar in some ways to the ideas of metanarrative or grand narrative.
Contra or counter-flows, through media, have had a positive and negative impact on migrant communities. As mentioned before, counter-flows is the movement of culture, not only one way but a two-way movement. Furthermore, media is a major source of communication and information that reaches hundreds of homes across the country.
Studies employing the Foucauldian discourse analysis might look at how figures in authority use language to express their dominance, and request obedience and respect from those subordinate to them. The disciplinary interaction between authority and their followers emphasize the power dynamic found within the relationships. [ 7 ]
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Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
Counter-mappers work in reaction to what they describe as encroachment by colonial influences. [17] Counter-maps have been used to press indigenous claims for rights over land. [18] Many critical cartographers have engaged in counter-mapping to rewrite the narrative of the history of Israel's expansion into territories contested with Palestine.
The voices from other non-dominant groups are tampered, mastered and can only be heard through reshaping and translation to meet the dominant standard. [63] Therefore, Lasdon-Billing argues that the curriculum should be race-neutral or colorblind, present people of color, and "presume a homogenized 'we' in a celebration of diversity."