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Geets are a significant part of Indian folk-literature meant for all memorable occasions, then they are known as lok-geets sung by different communities and sections of society. [3] These lok-geets include Chaiti, Kajari, Hori and Sawani. However, the boundary-line separating folk songs from classical songs cannot be easily traced and re-drawn. [4]
[1] [2] The term "thumri" is derived from the Hindi verb thumuknaa, which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from Uttar Pradesh, though there are regional variations. [3]
Tamang Selo is a musical genre of the Tamang people and widely popular amongst the Nepali speaking community in India and around the world. It is usually accompanied by Tamang instruments, the Damphu, Madal and Tungna. although modern instruments have found their way into the compositions these days [1] A Selo could be very catchy, attractive and lively or slow and melodious and is usually ...
India has a rich and varied tradition of folk music and numerous types of folk songs. Some traditional folk song genres have been recognized as Intangible Cultural Heritage listed by UNESCO. Among these traditions, a well-known musical and religious repertoire is known as Baul, which has become famous in the World Music scene.
Although originally an oral tradition, the genre was incorporated into longer poems, epics and narratives by a number of Indian poets [8] across major Modern Indo-Aryan languages including—Hindi, Urdu, Bengali, Gujarati, Rajasthani languages, Bihari languages, Punjabi etc., and can be found in the folk poetry of the tribal people too. [9]
The post–World War II folk revival in America and in Britain started a new genre, Contemporary Folk Music, and brought an additional meaning to the term "folk music": newly composed songs, fixed in form and by known authors, which imitated some form of traditional music.
[3] [4] The term rasiya is the Hindi word for “epicure” [5] which refers to the male suitors, or the god Krishna himself as depicted in the songs. Rasiya's are sung and typically played with a variety of instruments, the most common are the “ dholak ” drums, [ 6 ] sarangi , and harmonium . [ 5 ]
Literary associated with Kashmiri literature, it was initially used to criticise the rulers engaged in human rights abuse. Some local people believe that ladishah songs were used to be sung during the harvest season particularly exercised by nomads to get food in return.