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The Grammy Award for Best Contemporary Instrumental Album (previously: Best Pop Instrumental Album) is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, [1] to recording artists for quality instrumental albums in the pop music genre.
Pop instrumentals encompass instrumentals that were hit songs. Pages in category "Pop instrumentals" The following 47 pages are in this category, out of 47 total.
From 2012, all instrumental performances in the pop category (solo or with a duo/group) were shifted to either the newly formed Best Pop Solo Performance or Best Pop Duo/Group Performance categories. A similar award for Best Instrumental Performance was awarded from 1965 to 1968.
The Grammy Award for Best Pop Instrumental Performance by an Arranger, Composer, Orchestra and/or Choral Leader was awarded at the 15th Annual Grammy Awards for music released in the previous year. 1973 was the only year in which the Grammy Award for Best Pop Instrumental Performance was split into Best Pop Instrumental Performance by an Arranger, Composer, Orchestra and/or Choral Leader and ...
This list of songs or music-related items is incomplete; you can help by adding missing items. (October 2021 This page was last edited ... List of instrumental bands.
The award is presented to the arranger(s) of the music. Only songs or tracks are eligible, no longer works (e.g. albums). The performing artist does not receive a Grammy, except if they are also the arranger. There have been several minor changes to the name of the award: From 1963 to 1981 the award was known as Best Instrumental Arrangement
"Telstar" is a 1962 instrumental by the English band the Tornados, written and produced by Joe Meek. It reached number one on the UK Singles Chart and the US Billboard Hot 100 in December 1962 (the second British recording to reach number one on that chart in the year, after "Stranger on the Shore" in May). It was the second instrumental single ...
This article lists songs of the C vs D "mash-up" genre that are commercially available (as opposed to amateur bootlegs and remixes).As a rule, they combine the vocals of the first "component" song with the instrumental (plus additional vocals, on occasion) from the second.