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Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Thomas was born sometime between 1185 and 1190, into the noble family of the Conti dei Marsi at Celano in the Province of the Abruzzi. He received a sound liberal arts education, possibly at the Benedictine monastery of Saint John the Baptist near Celano.
The sequence employed in the Requiem, Dies irae, attributed to Thomas of Celano (c. 1200 – c. 1260–1270), has been called "the greatest of hymns", worthy of "supreme admiration". [1] The Latin text is included in the Requiem Mass in the 1962 Roman Missal. An early English version was translated by William Josiah Irons in 1849.
Dies irae itself is a Latin poem or hymn which prays mercy at the dawn of apocalypse. The poem was originally written by Thomas of Celano, an Italian friar of the Franciscans, who lived in 13th century and was an obligatory part of
Dies Iræ (13th century) - Thomas of Celano's celebrated sequence on the Last Judgment . Paradise Lost (1667) and Paradise Regained (1671) - John Milton 's English epics on the fall and salvation of the human race.
Other well-known sequences include the ninth-century Swan Sequence, Tommaso da Celano's Dies Irae, St. Thomas Aquinas' Pange lingua in praise of the Eucharist, the anonymous medieval hymn Ave maris stella ("Hail, star of the sea!"), and the Marian sequence Stabat Mater by Jacopone da Todi.
He died at 20 Gordon Square, London, on 18 June 1883. He married first, in 1839, Ann, eldest daughter of John Melhuish of Upper Tooting, who died 14 July 1853; and secondly, on 28 December 1854, Sarah Albinia Louisa, youngest daughter of Sir Lancelot Shadwell ; she died 15 December 1887.
Ludwig van Beethoven: 10 Variations on "La stessa, la stessissima" from Falstaff, WoO 73 (piano) Jan Ladislav Dussek : Variations on a Theme by Salieri, Craw 83 (keyboard; lost) Joseph Gelinek : VIII Variations pour le Piano-Forte sur le Trio "Copia si tenera" de l' Opera Palmira .