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Hou Minghao (Chinese: 侯明昊, born 3 August 1997 in Beijing, China), also known as Neo Hou, is a Chinese actor and singer.He is best known for his roles in the film The Devotion of Suspect X; and in the dramas When We Were Young, The Lost Tomb 2: Explore with the Note, A Girl Like Me, Our Times, Dashing Youth, and Fangs of Fortune.
The Chang'an Youth (simplified Chinese: 长安少年行; traditional Chinese: 長安少年行; pinyin: Cháng'ān Shàonián Xíng) is a 2020 Chinese television series starring Wang Yuwen and Caesar Wu, alongside Liu Yichang, Xie Binbin, and Qi Peixin. [4] It aired in Tencent Video on 20 April until 4 May 2020 every Mondays and Tuesdays for 24 ...
Begins ≠ Youth (Korean: 비긴즈유스) is a 2024 South Korean drama television series based on the BTS Universe, starring Seo Ji-hoon, Noh Jong-hyun, Ahn Ji-ho, Seo Young-joo, Kim Yoon-woo, Jung Woo-jin, and Jeon Jin-seo. It was released on Xclusive from April 30, to May 14, 2024, every Tuesday at 16:00 .
When We Were Young (Chinese: 人不彪悍枉少年; pinyin: Rén Bù Biāo Hànwǎng Shàonián) is a 2018 Chinese streaming television series starring Hou Minghao, Wan Peng, and Zhang Yao.
The Auditors (Korean: 감사합니다) is a 2024 South Korean television series written by Choi Min-ho, co-directed by Kwon Young-il and Joo Sang-gyu, and starring Shin Ha-kyun, Lee Jung-ha, Jin Goo and Jo A-ram.
A Girl Like Me (Chinese: 我就是这般女子; pinyin: Wǒ jiùshì zhè bān nǚzǐ) is an ancient costume romantic comedy directed by Chen Weixiang and Yang Xiaobo, starring Guan Xiaotong and Hou Minghao, Li Zonglin, Zhao Shunran, An Yongchang, Xia Nan and Jiang Haomin.
Based on the context of the Warring States period in China, when Heng, the most powerful in the seven states, is on the conquest of unification. [5] To seek revenge on the King of Heng, a young man named Ding Ning (Li Xian) plans to kill the King of Heng for his master Liang Jingmeng 10 years ago.
Handsome Siblings received generally positive reviews, scoring 7.8 based on 826 users on IMDb as of July 2024. [3] Stephen McCarty of the South China Morning Post's Post Magazine noted that despite the story being adapted multiple times, this rendition was a "visual feast" and compared it to "Cirque du Soleil meets Journey to the West".