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Solo de concert No. 4, Opus 84 for Tenor Saxophone and Piano (1862)—Jean-Baptiste Singelée; Solo de concert No. 6, Opus 92 for Tenor Saxophone and Piano (1863)—Jean-Baptiste Singelée; Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés ...
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Saxophone Solos is a solo soprano saxophone album by Evan Parker. Three of the tracks were recorded live on June 17, 1975, at the Unity Theatre in London, and the remaining music was recorded on September 9, 1975 at the FMP Studio in Berlin. [ 1 ]
The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range.
The song also features a piano solo, played by Jef Labes, which is immediately followed by an alto saxophone solo by Jack Schroer. The song ends with a trill on the flute during the cadenza that fades out. Schroer's solo is often noted as one of the most influential saxophone solos in popular music.
He played the soprano saxophone solo on the number-one hit single "Listen to What the Man Said" by the band Wings. In 1976, he played the theme "I Still Can't Sleep" in Taxi Driver. [7] Scott also composed the soundtrack for 1980's Stir Crazy. [8] In 1982, he collaborated with Johnny Mathis on "Without Us", the theme to the 1980s sitcom Family ...
Solo Saxophone Concerts is an album by American jazz saxophonist Roscoe Mitchell composed of solo concert performances from 1973 and 1974 and released on the Canadian Sackville label. It was reissued in 2009 by AECO/Katalyst under the title The Solo Concert .
In the early 1940s, jazz saxophonists such as Charlie Parker (alto, tenor) and Sonny Stitt (alto, tenor) led a rebellion against the strictures of big band jazz, shifting away from danceable popular music towards a more challenging "musician's music" that would come to be called bebop, with solos that included more chromaticism and dissonance ...
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