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Solo de concert No. 4, Opus 84 for Tenor Saxophone and Piano (1862)—Jean-Baptiste Singelée; Solo de concert No. 6, Opus 92 for Tenor Saxophone and Piano (1863)—Jean-Baptiste Singelée; Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés ...
Saxophone Solos is a solo soprano saxophone album by Evan Parker. Three of the tracks were recorded live on June 17, 1975, at the Unity Theatre in London, and the remaining music was recorded on September 9, 1975 at the FMP Studio in Berlin. [ 1 ]
David William Sanborn (July 30, 1945 – May 12, 2024) was an American alto saxophonist.Sanborn worked in many musical genres; his solo recordings typically blended jazz with instrumental pop and R&B. [1]
She has appeared in the official promotion video of the Akai speaker built-in wind synthesizer Ewi Solo and for the Yamaha Digital Saxophone. [14] On October 13, 2021, her 4th album Colorful Drops was released, where she also sang on the last track, "Fly Me To The Moon". [15] [16]
Jazz saxophonists are musicians who play various types of saxophones (alto saxophone, tenor saxophone, baritone saxophone etc.) in jazz and its associated subgenres. The techniques and instrumentation of this type of performance have evolved over the 20th century, influenced by both movements of musicians that became the subgenres and by particularly influential sax players who helped reshape ...
His most recognizable performances include the saxophone introduction to "Turn the Page" [5] and the saxophone solo in "Old Time Rock and Roll".Reed also recorded the soundtracks for two of Jeff Daniels' films, and performed with many bands and musicians, such as Foghat, Grand Funk Railroad, Little Feat, Otis Rush, Enchantment, Jamie Oldaker, George Terry, Dave Mason, Spencer Davis, Tico ...
Jean-Baptiste Illinois Jacquet (October 30, 1922 – July 22, 2004) [1] was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. [2] He is also known as one of the writers of the jazz standard "Don'cha Go 'Way Mad."
Throughout the middle decades of the twentieth century, a preponderance of the significant new saxophone solo and chamber repertoire would appear with the familiar dedication to Sigurd M. Raschèr, the outcome of not just his ongoing commitment to motivate some of the world's finest composers, but also in part the result of genuine close ...
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