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Mohiniyattam is a lasya-dominant dance form. This means that it emphasizes feminine grace and beauty. Trisama: Trisama is the coordination of the three elements of dance: nritta (pure dance), nritya (expressive dance), and natya (drama). Mohiniyattam dancers must be able to coordinate all three elements of dance.
The word "Mohiniyattam" literally means "dance of the enchantress". [ 9 ] Bharati Shivaji was born in 1948 in the temple town of Kumbakonam , in Tanjavur district of the south Indian state of Tamil Nadu , [ 10 ] and had her early training in Bharatnatyam under Lalita Shastri [ 11 ] and Odissi under Kelucharan Mohapatra . [ 12 ]
Kalamandalam Kalyanikutty Amma (1915 – 1999) was an epoch-making Mohiniyattam dancer and researcher from Kerala in southern India. [1] A native of Thirunavaya in Malappuram district of the state, she was instrumental in resurrecting Mohiniyattam from a dismal, near-extinct state into a mainstream Indian classical dance, rendering it formal structure and ornamentation.
Kalamandalam Kshemavathy (born 1948) is a Mohiniyattam dancer from Thrissur, Kerala.She is an alumna of the Kerala Kalamandalam.She joined the institute when she was ten. After completion of the course, she undertook advanced training in Bharata Natyam under Muthuswamy Pillai and Chitra Visweswaran, and in Kuchipudi under Vempati Chinna Satyam, but chose to remain within the Mohiniyattam traditi
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In 1994, she started Lasya Academy of Mohiniyattam at Thrissur. In 2000, she started doing choreographies in Mohiniyattam. Her Ritu-Raga is a fusion of Bengali and Kerala forms, Rabindra Sangeeth with Kerala's Sopanam music. [3] In February 2009, she conducted a workshop for Bangladeshi dancers at Dhaka. [4]
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